Digital files don't decay like prints, but they fail in their own ways: media wear out, formats lose support, and hardware to read them disappears. Preservation is an ongoing practice.
Format Choices
Safe for decades:
- JPEG — the most universally supported image format in existence. Lossy, but its ubiquity is itself a preservation feature.
- TIFF — the standard archival raster format: lossless, widely supported, and stable for decades.
- PNG — open, lossless, universally supported.
Riskier:
- Proprietary camera RAW (CR3, NEF, ARW and dozens of others) — each is a manufacturer-specific format tied to specific software. Support for discontinued formats does erode, and there are already RAW formats from the 2000s that are awkward to open today.
- DNG is the mitigation: an openly documented RAW container. Converting proprietary RAW to DNG for archival purposes is a reasonable hedge, though it's a trade-off some photographers dislike.
- Newer formats (AVIF, JPEG XL, HEIC) — excellent technically, but shorter track records. Fine as derivatives; think twice before making one your only archival copy.
The practical policy: archive the original capture file *plus* a widely-supported derivative. A RAW plus a high-quality JPEG covers both the "best quality" and the "will definitely still open" requirements.
Media and Their Lifespans
- Hard drives — 3–5 years of reliable service; they fail suddenly. Fine as one copy, never as the only one.
- SSDs — fast and robust in use, but can lose data when left unpowered for years. Not an archival medium.
- Optical discs — archival-grade discs claim long life, but drives to read them are disappearing.
- Tape — genuinely long-lived, used by institutions, impractical for individuals.
- Cloud — durability is excellent while you keep paying and the provider exists. Both are assumptions.
The honest conclusion: there is no set-and-forget medium. Every option requires periodic migration.
Bit Rot and Verification
Files can degrade silently — a flipped bit from media wear or a bad transfer, producing a corrupted image that opens fine until you look closely.
Protect against it:
- Store checksums (hashes) alongside your archive, and verify periodically. Some filesystems do this automatically and can self-heal from a redundant copy.
- Verify after every migration, not just at rest.
- Keep multiple copies so a corrupted file can be replaced from a good one. This is the practical reason redundancy matters more than any single medium's reliability.
The Migration Habit
This is what actually preserves data over decades:
- Every 3–5 years, move your archive to new media.
- Re-verify checksums as part of the move.
- Review format support at the same time; convert anything whose format is fading while software that reads it still exists.
- Write down what you did, so the next person — including future you — understands the structure.
Don't Forget the Context
An archive of unlabelled files loses much of its value. Preserve:
- Metadata — keep IPTC/XMP captions, dates, names and locations embedded in the files, not only in a catalogue database that may not outlive its software.
- A plain-text index describing folders, projects and people. Plain text will open in fifty years; a proprietary catalogue may not.
- Prints of the most important images. A physical print requires no format support at all, and remains the single most robust long-term backup for a handful of irreplaceable photographs.